http://www.amazon.com/Seducer-Novel-Claudia-Moscovici/dp/0761858075/ref=sr 1 1?s=books&ie=UTF8&qid=1326297451 a narrative whose intensity and suspense, in tandem, leave the reader eager to know, at every step of the way, what happens next? I encourage the reader to start this novel with a full set of nails, because it's a nail biter in the most literal sense.
STEVE BECKER, MSW, LCSW LOVEFRAUD.COM FEATURE COLUMNIST, EXPERT/CONSULTANT ON NARCISSISM AND PSYCHOPATHY
What is love in this seductive new novel? Hypnotic attraction or deadly trap? A dream come true or a world filled with obsessions in the absence of genuine feelings? "The Seducer" probes the chilling depths of alienation and selfishness as the heroine, Ana, is caught in the spider's web of her narcissistic lover, Michael. No magic, just cruelty. Claudia Moscovici wrote a powerful novel about an unfortunate reality many women face: the unraveling of their romantic dreams as love turns into a cold and calculated game of chess.
CARMEN FIRAN, AUTHOR OF "WORDS AND FLESH"
"The Seducer" offers a thrilling look at the most dangerous men out there, that every woman is warned about and many encounter: the psychopathic predator. We've seen these men featured in the news for their gruesome crimes. But few would expect them to be the charming, debonair, romantic seducers that love stories are made of. When the heroine of the novel, Ana, met Michael, she was in for the roller-coaster ride of her life. In her exciting second novel, "The Seducer", Claudia Moscovici depicts with talent and psychological accuracy the spellbinding power of these charming yet dangerous Don Juans.
D. R. POPA, AUTHOR OF "LADY V AND OTHER STORIES "(SPUYTEN DUYVIL, 2007)
Claudia Moscovici's new psychological thriller, The Seducer, reminds us of classics like "Anna Karenina" and "Madame Bovary", but with a contemporary twist. The new seducer is a psychopath, a dangerous predator without genuine emotion. And yet, we remain fascinated as he charms two women: one of them utterly dependent, the other seduced but autonomous. The reader's outrage toward the reprehensible Michael may feel neutralized by the author's meticulous studies of the psychopath in action and by what I call "ethical irony," an often hidden moral perspective. Moscovici's epic of betrayal and self-deception draws the reader into the convoluted mind of sexual predators and their victims. The narrative is bold, vivid and lucid.
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